Jody Worrell has just released the third installment of his Blues Standards Rhythm Lesson series. You will learn how to play rhythm guitar parts for three popular blues songs:
Before You Accuse Me: Originally written by Bo Diddley then reintroduced to the public through Eric Clapton’s Unplugged performance and subsequent live shows.
It Hurts Me Too: Basically a traditional song that was recorded early on by Tampa Red and then Elmore James. More recently it’s been covered by Eric Clapton and Keb Mo. Jody also has two lessons that will teach you how to play solos over It Hurts Me Too
Help Me: The tune is pretty similar to the blues instrumental “Green Onions” but is credited to Sonny Boy Williamson and Willie Dixon.
For each song Jody will teach you the chords and some strumming and rhythm tips. You can get a feel for it from the demo. To get this lesson or parts 1 and 2 check out the product page
Jody Worrell’s newest two lessons will teach you to play guitar solos for Crosscut Saw. This blues standard was brought to fame in 1964 by Albert King. It has a rumba beat that distinguishes itself from a lot of other blues classics. Below you will find a video featuring the audio from Albert’s studio version of the song. I’ve also included a video of Eric Clapton performing a pretty faithful cover of the song live.
Thanks to Guitar Lifestyle where we first saw this video of a Guitar World interview with John Mayer discussing his unique cover of Crossroads. The intro to the video consists of several comedic false intros by John Mayer. Some of Mayer’s other comedic endeavors have included some misses (nsfw) but these mostly hit the mark. The meat of the interview is where it gets interesting. John discusses how he came up with the idea for his version, his tones, takes a very detailed look at his right hand technique, and discusses the music theory behind some of his choices.
Guitar Lifestyle found an old BBC video (below) of Eric Clapton explaining how he makes the “woman tone” that he used on Sunshine of Your Love and other tunes. Gibson.com also has an article on the same subject:
“Zeroing in on “Woman Tone” isn’t rocket science. That would be easier. There’d be a precise formula that would work for everyone, and no mojo factor. Nonetheless, a powerful neck-position pickup is essential. Start by turning your guitar’s tone dials all the way off. Next, place the pickup selector switch in the middle position. Now roll the bridge pickup’s volume to about six or seven, and crank the neck pickup all the way up to 10.
Amp choice is crucial too, although a carefully selected high-quality distortion pedal can turn some tiny practice rigs into snarling monsters. Clapton used heavy artillery: a Marshall 50-watt head through a 4×12 cabinet with 25-watt Celestion greenback speakers running full out – volume, bass, midrange and treble all set on 10. And while an electronic amplifier – especially one that emulates tube distortion – can get the job done, one of “Woman Tone’s” key elements is the smooth, creamy distortion that only tubes provide.”
I’m not sure who is responsible for this list of amp settings for popular songs and guitarists but it’s a cool collection. Here are a couple of examples:
JIMI HENDRIX – PURPLE HAZE
drive at 8
treble at 7
mid at 9
bass at 6
reverb at 3
with overdrive
SULTANS OF SWING SETTINGS
presence at 4
treble at 5
nid at 5
bass at 5
reverb 2/3
master at 10
ERIC CLAPTON
gain at 7
treble at 5
mid at 7
bass at 7
presence at 8
