MusicRadar.com has a brief post on miking tips for acoustic guitar. They discuss using one and two condenser mic setups.

we’re not going to just mic sound from the guitar’s soundhole – the results would be too bassy. Both low-end and high-end tone emanates from your acoustic, but from different places. The low-end is mainly around the soundhole area while the higher end sounds will be around the area of the 12th fret.

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We have two new lessons based on lesser known but extremely talented blues acts. In the Style of Magic Slim will teach you some upbeat and electric blues guitar licks. Mentored and given his nickname by Magic Sam, Slim himself became a standout on the Chicago blues scene. Our second lesson is for acoustic guitar and teaches you the Piedmont Blues style of Cephas & Wiggins This harmonica and guitar act out of Virginia made music that was a perfect accompaniment to any porch sitting session. Below you will find Youtube videos by both acts or ou can check out a NPR broadcast of a concert by Cephas & Wiggins.

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Jorma Kaukonen and Roger Hurricane Wilson

Jorma Kaukonen with Roger "Hurricane" Wilson

Roger Wilson with Jorma Kaukonen of Hot Tuna

We’ve previously discussed Roger Wilson’s first lesson on playing I Know You Rider in the style of Hot Tuna on the blog. Now Roger has a lesson 2 that will teach you how to play lead parts from the song.

Guy Fenocchi has a new six lesson package called Jazz Up Your Country. In these video lessons you will learn how to incorporate jazz soloing ideas into your country playing. You’ll learn a variety of jazz scales, modes, arpeggios, and intervals that you can use to solo over traditional major country progressions.

Click here for free premium jazz guitar lessons and 50 FREE videos.

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Roger “Hurricane” Wilson’s newest lesson combines learning a guitar lick with a little bit of blues history. This guitar lick is based on a traditional Blues Moan. You’ll notice a “call and response” feel and a “tension and release” nature to the lick. Download the video and view the tab for this lick here.

Click here for free premium blues guitar lessons and 50 FREE videos.

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We have two new premium lessons by Roger “Hurricane” Wilson available. The first lesson will teach you how to play Railroad Bill in a simplified arrangement of Miss Etta Baker’s version. This is a great way to get introduced to the Piedmont Blues picking style. The second lesson will teach you to play I Know You Rider based on Jorma Kaukonen and Hot Tuna’s version. Below I’ve included videos of each artist performing their version of the song. Etta starts discussing and playing Railroad Bill around the 1:40 mark but the whole interview is interesting. The Hot Tuna clip is from a 2007 concert and features acoustic guitar, bass, and mandolin gracefully working their way through an extended jam. Unfortunately there’s a decent amount of crowd noise to deal with.

Click here for free premium blues guitar lessons and 50 FREE videos.

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We’ve discussed David Rawlings on here before, and we’ll continue to because he’s just a master of the acoustic guitar. The recently released “Friend of a Friend” album under the moniker The Dave Rawlings Machine caught me off guard. I’ve enjoyed it just as much as previous efforts from Gillian Welch and David Rawlings, but I thought that with the group taking on his name for the project that the guitar would come even more into the foreground. However, Dave appeared to focus more on songwriting, singing, and creating a balanced approach with the Old Crow Medicine Show joining them on many songs. In this video from NPR’s Tiny Desk Concert series he adds the guitar embellishments that were left off of the record. From a blistering solo on the bluegrass classic “I’m On My Way Back to the Old Home” to melodic touches to accompany Gillian’s rhythm guitar on their originals, this video is not short on great guitar playing. To download this video you can get the video podcast from iTunes.

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>Jody Worrel has a new video lesson teaching you a blues lick for an intermediate to advanced player. This lick is in the key of E and would sound great over a slow blues groove. You can watch the Youtube version below and click here to view the tab

We also have new premium lessons that will teach you how to play Sweet Home Chicago, an an acoustic country solo, and help you work on acoustic country rhythm guitar.

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>The Black Cab Sessions is a British website where they make a music video by recording a band playing a song while riding around London in a cab. What transpires is usually a stripped down version of the song and some real genuine moments. They’ve done over 40 sessions at the point and featured some bigger names like The National, Spoon, The New Pornographers, and The Raveonettes. They’ve also featured some bands that I wasn’t as familiar with. One of those artists is Seasick Steve. A raw and gritty acoustic bluesman. After watching this video I went to youtube and found several clips from his appearances on the Jools Holland show. And I gotta say, Seasick Steve is thoroughly entertaining. Check out his Black Cab Session below…

If you wanna learn how to play some acoustic blues licks check out our Acoustic Blues: Intros & Endings lesson by Jody Worrell.

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>A performance by Peter Vogl guitar student, Ben Deignan, of his original song "Fault Line". You can find more music by Ben on his bendeignan.com or myspace.
View Quicktime video of performance

Bio: Like a crisp fall apple, Georgia native Ben Deignan is picked for pop stardom. The singer/songwriter started playing the family’s six-string at 15, formed various garage bands in junior high and has now blossomed into a 21-year-old funkster with a sound that’s turning heads in clubs around Atlanta and beyond. “A female friend of mine described my music as ‘orgasmic’ and I thought it was clever,” Deignan says. “I never really took it seriously, but for some reason it has stuck.” Sticky is a good thing in a crowded musical universe where the latest flavor is one record flop from obscurity. It was only a few years ago, while playing his dad’s company party at the Tin Roof Cantina in Buckhead, that Deignan was plucked from his own obscurity by an A&R rep for a major record label. That exposure led him to renowned Atlanta-based musician, arranger and vocal producer Jan Smith (Usher, matchbox twenty), who signed Deignan to a development and production deal. Together with production partner Huston Singletary, Smith is helping the fresh-faced Deignan prep his pipes. “This industry is tough and in order to keep your head above water, you have to know the business,” Deignan says. Busy playing gigs and writing songs (“Most of the time it’s in places like the shower or on the highway at three in the morning”), Deignan has a blue-eyed soulful, skatty and softly cranky mood—he cites Bono, Stevie Wonder and The Police among his influences—that sounds like something you’d hear on the radio, only more interesting. Deignan’s routine of vocal exercises and playing covers in seedy college dives is quickly receding in the rearview: He recently recorded an eponymous four-song EP with Smith & Huston Productions, available on iTunes, and he’s gotten more than 30,000 hits on his MySpace player in addition to major label interest. Dealing with the inevitable comparisons, Deignan remains philosophical. “Guys like John Mayer were compared to other artists for along time, too,” he says. “It’s a comfort thing. I find it interesting because alot of people compare me to the sounds of Maroon 5 and Jason Mraz, but I don’t hear anyone compare either one of those artists to each other. Maybe I’m the link between them.”

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A short word of advice and performance by Elli Perry, a solo artist and Peter Vogl guitar student. Elli is performing her original song Let It Slide. To hear more of Elli’s music visit her myspace page.

Watch the video in Quicktime


Bio: Atlanta based singer, songwriter, guitarist Elli Perry has been writing and performing music since childhood. After picking up the guitar at age 12, she quickly started to develop her skills as a songwriter. Elli recorded her debut independent album entitled "A Beautiful Chaos" at age 15, and now as a polished and professional 19 year old she is working on her new record with famed vocal coach Jan Smith and her production team. Elli’s percussive guitar playing, soulful voice, and intensely personal lyrics lend themselves to her unique style. Her biggest influences as a songwriter show her mature and eclectic musical tastes.-The Beatles, Elliott Smith, and Fiona Apple. One of Elli’s greatest strengths as a musician is her live performance. She continuously wins over new fans with her emotional and honest stage prescence. She performs frequently around Atlanta, and the first 2 tracks from her new record can be found on her myspace page.

Elli’s thoughts on Peter Vogl:"Working with Peter Vogl has enabled me to expand as a guitar player and as a songwriter. Peter is truly an artist and his ability to provoke the very best from his students is unparalleled. Peter has helped me to better understand my instrument, my technique, and what it is to be truly a musician."

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